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Melissa Aldana photo byEduardo Pavez Goye

Melissa Aldana

Sunday May 31 @ Jazz Alley • 3pm

GRAMMY-nominated saxophonist and composer Melissa Aldana has garnered

international recognition for her visionary work as a band leader, as well as her deeply

meditative interpretation of language and vocabulary. She was recently signed with Blue

Note Records and releases her debut album with the historic label titled 12 Stars in March

2022. “Melissa Aldana is one of the foremost musician/composers of her generation,”

says Blue Note President Don Was.

Aldana was one of the founding members of ARTEMIS, the all-star collective that released

their debut album ARTEMIS on Blue Note this past Fall. The album featured Aldana’s

simmering composition “Frida,” which was dedicated to Mexican painter Frida Kahlo, who

inspired the musician through “her own process of finding self-identity through art.”

Kahlo was also the subject of Aldana’s celebrated 2019 album Visions (Motéma), which

earned the saxophonist her first-ever GRAMMY nomination for Best Improvised Jazz Solo,

an acknowledgement of her impressive tenor solo on her composition “Elsewhere.” In

naming Visions among the best albums of 2019 for NPR Music, critic Nate Chinen wrote

that Aldana “has the elusive ability to balance technical achievement against a rich

emotional palette.”

Aldana was born in Santiago, Chile and grew up in a musical family. Both her father and

grandfather were saxophonists and she took up the instrument at age six under her father

Marcos’ tutelage. Aldana began on alto, influenced by artists such as Charlie Parker and

Cannonball Adderley, but switched to tenor upon first hearing the music of Sonny Rollins.

She performed in Santiago jazz clubs in her early teens and was invited by pianist Danilo

Pérez to play at the Panama Jazz Festival in 2005.

Aldana moved to the U.S. to attend the Berklee College of Music, and the year after

graduating she released her first album Free Fall on Greg Osby’s Inner Circle label in 2010,

followed by Second Cycle in 2012. In 2013, at 24, she became the first female

instrumentalist and the first South American musician to win the Thelonious Monk

International Jazz Saxophone Competition, in which her father had been a semi-finalist in

1991. After her win, she released her third album Melissa Aldana & Crash Trio (Concord).

Aldana is also an in-demand clinician and educator, and the New England Conservatory’s

Jazz Studies Department recently appointed her to their jazz faculty beginning in the Fall

of 2021.

artist photo by Eduardo Pavez Goye

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“There may have never been a major tenor player who shouts less, and who sounds less egocentric, than Aldana... The music is contemplative and searching, even grasping. Its quietude in the moment is

deep, yet its intensity burns like an underground fire. Her horn is the voice of her heart.”

• Stereophile: June 2022 Jazz Record Review

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